Sunday, July 30, 2006

With mediocre power comes mediocre responsibility...

I think we often forget this important corrolary to the more famous expression.

It might be better to say, "Our responsibility is in direct relation to our power..."

But that opens people up to saying that they were 'powerless' in a given situation, which I don't accept. At least, not in the sense that it abrogates any level of personal responsibility.

It might be worth it, though, if it means liberating people from crippling themselves with guilt when they really weren't 'responsible' (ie. they had only mediocre or negligible power).

Reminds me of a joke: A person applies for a job, and is asked if he is a responsible worker. He says, "Oh, definitely. At my last job, whenever something went wrong, my boss would tell me I was responsible."

Thursday, July 27, 2006

For prospective Buffy viewers...


About a year ago, the electronics retailer BEST BUY offered an exclusive DVD set called "Buffy: Curse of the Hellmouth." I recommend this set for anyone who has taken Sharon Betcher's Post-Modernism and Pop Culture course at VST and wants greater exposure to the world of the Vampire Slayers. It is an affordable, high-quality introduction to many of the key themes and appealing characteristics of the series.

It's now being offered in a wider release, including Amazon.ca. The set includes eight episodes from across the series (though seasons 5 and 6 are not represented, season 7 is), and includes five episodes that I recently described in my personal TOP 30.

The Amazon edition becomes available in a little over a month.

Other exclusive collections offered by stores such as Best Buy and Futureshop focus on a particular character or story arc, and are less effective as introductions to the series in general.

The episodes contained in this collection are "The Pack," "Halloween," "Passion," "The Wish," "Helpless," "Fear, Itself," "Hush," and "Same Time, Same Place."

Monday, July 24, 2006

Sermon from July 23, 2006

Here is the sermon I delivered at Gilmore Park United Church in Richmond, British Columbia yesterday morning (7th after Pentecost). I think it turned out pretty well, though it doesn't follow a clear homiletic pattern that I can see. Maybe it follows a pattern that I'm developing for myself. If that's the case, then it's emerging gradually and I'll have to see a few more examples of it before I can extract the principles of it.

Once again, I ended up extemporizing a fair bit of the sermon, adding material and expressing some thoughts in different ways than appear in the written version. So I am making this caveat: the manuscript is not the sermon. It is the visual cue that gives the sermon its structure and flow; the sermon is what is spoken and heard, not what is written.

"Is 'sin' a four-letter word?"
July 23, 2006

2 Samuel 7:1-14a

Now when the king was settled in his house, and the Lord had given him rest from all his enemies around him, the king said to the prophet Nathan, ‘See now, I am living in a house of cedar, but the ark of God stays in a tent.’ Nathan said to the king, ‘Go, do all that you have in mind; for the Lord is with you.’ But that same night the word of the Lord came to Nathan: Go and tell my servant David: Thus says the Lord: Are you the one to build me a house to live in? I have not lived in a house since the day I brought up the people of Israel from Egypt to this day, but I have been moving about in a tent and a tabernacle. Wherever I have moved about among all the people of Israel, did I ever speak a word with any of the tribal leaders of Israel, whom I commanded to shepherd my people Israel, saying, ‘Why have you not built me a house of cedar?’ Now therefore thus you shall say to my servant David: Thus says the Lord of hosts: I took you from the pasture, from following the sheep to be prince over my people Israel; and I have been with you wherever you went, and have cut off all your enemies from before you; and I will make for you a great name, like the name of the great ones of the earth. And I will appoint a place for my people Israel and will plant them, so that they may live in their own place, and be disturbed no more; and evildoers shall afflict them no more, as formerly, from the time that I appointed judges over my people Israel; and I will give you rest from all your enemies. Moreover, the Lord declares to you that the Lord will make you a house. When your days are fulfilled and you lie down with your ancestors, I will raise up your offspring after you, who shall come forth from your body, and I will establish his kingdom. He shall build a house for my name, and I will establish the throne of his kingdom for ever. I will be a father to him, and he shall be a son to me.


I was eighteen when I heard the call to ministry. We refer to it as “hearing” the call, and sometimes it is a lot like hearing. I think it has something to do with the parts of our brain that are involved... like the call of God is something that needs to be interpreted before we can understand it. Sometimes it’s interpreted in the “hearing” part of our brain, I think. Other times we might have a vision, and I guess that’s a case of the call of God being interpreted through the seeing part of the brain. That’s my guess.

But when I was eighteen I heard the call of God, to go into the ministry. And I agreed. I made a commitment, that I would go where I was led. BUT! I said, you have to give me time. I’m not ready to pursue this fully, I said. I was eighteen, for one thing. But also, it was kind of scary. So I kept it to myself for a while. And then I moved slowly on that end of things for quite some time.

I couldn’t get away from it, though. Not that I really wanted to... but I did sort of wish that I could delay the call. Just sort of put God on hold until I felt more ready to move in that direction. I tried. I tried all the tricks I knew to avoid the call... voice mail... call waiting... *69... I screened those calls for a long time. But I had already made a commitment. And that was my personal experience of God’s dogged persistence.

I had already made a commitment. But in some sense, that didn’t matter so much. You see, I had heard the call, loud and clear. And even that is enough. Once you hear the call, whether it seems like hearing, or like seeing, or like feeling, or I suppose it could seem like smelling or tasting but I don’t know what that would be like... once you hear the call, whatever it might be, whether it has to do with vocation, as in my example, or maybe it has to do with relationships or other behaviours... once you hear the call, your options are limited.

It seems to me that we have at least two options: we can try to be faithful, or we can try to pretend we didn’t hear. I guess I tried to mix the two: I agreed to be faithful, but not right now. But I did agree, and eventually I had to live up to that.

But sometimes I think I had a good idea with that approach. Because once I agreed to be faithful to the call (and once God’s dogged persistance had broken through my avoidance methods) I had to keep listening for the darn thing. As soon as you answer the call once, the phone starts ringing off the hook, let me tell you. It’s not like you’re given a mission and then allowed to do your work... God is a micro-manager, I guess.

So I find it helps to check with God before I do anything new, or big. Like, you know, building a temple. Now, to be fair to David, he did take some steps along those lines... he checked with Nathan, which I guess is the next best thing to checking with God. But back when Saul died, David didn’t have Nathan around, and so when he thought he should maybe go to Judah, he checked with God directly, and that worked out pretty well. But this time, he has a prophet handy, so he just asks him. And Nathan says, “Dude, you’re the king. Go for it.”

Then Nathan gets a late night call on the hotline. And God sets up a covenant with the house of David.

Ancient Israel had something called a “covenant history”, which they recorded in their Holy Scriptures. You’ll recognize the language, I’m sure. God made a covenant with Adam and Eve when they left the garden. God made a covenant with Noah after the flood. God made a covenant with Abraham and Sarah, that their descendents would be numerous and would prosper. God made a covenant with Moses and the entire people of Israel, and that’s the one we probably think of most often, if we think of it at all. God said, “I am the Lord your God, who brought you up out of the land of Egypt. I will be your God, and you will be my people.” That sentence is at the heart of covenant theology. Everything else that came out of that experience, like the book of Leviticus, is commentary and reflection on that single understanding. “I will be your God, and you will be my people.”

And now, that covenant language is used to establish a direct relationship with the house of David. Do you see how these other covenants are echoed in this one?
“I am the Lord, who brought you up out of Egypt.”
“I took you from the pasture, from following the sheep...”
To Abraham: “I will make of you a great nation...”
To David: “the Lord will make you a house...”
“I will be your God, and you will be my people.”
“I will be a father to him, and he will be a son to me.”

The son of David who builds the temple is Solomon, who has not yet been born at this point. So what we have here is a covenant moment, in the covenant history of Israel.

Covenant is an interesting concept, I think. It seems to me that often we connect covenant with the idea of a contract. Party A will do thus and such and Party B will do this and the other, and if either party breaks the contract there are penalties and it can be rendered null and void. And the scriptures support this understanding, too. Did you notice how today’s reading ended halfway through a verse? The verse in its entirety reads, “I will be a father to him, and he shall be a son to me. When he commits iniquity, I will punish him with a rod such as mortals use, with blows inflicted by human beings.” So this covenant, the way it’s written, includes punishment for sin. (By the way, I don’t really read Hebrew, but I’m resourceful enough to know that it could also be translated, “I will rebuke him with the tribes of men, with the plague of the sons of Adam.” But either way, it includes punishment for sin.)

Which becomes problematic for us. We have a hard time with the idea of punishment for sin, don’t we? I think Gilmore Park is a bit unusual in the United Church, because in a lot of places I might feel the need to apologize for even bringing sin up in a sermon... even here, I need to explain what I mean by it. Which means it’s probably very important that we talk about it and at least try to figure it out.

We have a hard time with the idea of punishment for sin. And it goes deeper than a dislike of pain or discomfort. It’s not that we want to sin freely without consequence. It’s something about the sense of retribution, that goes against our ideas of what God is like and how God behaves. That there is a Criminal Code of Heaven like there is a Criminal Code of Canada, where the punishments are laid down next to the definitions of crimes...

So how do we deal with this question of sin? I’m going to go out on a limb and guess that folks who are in church on a morning like this one, a sunny morning in July, are at least somewhat aware of the presence of sin in their lives. If you’re aware of sin in your life, how do you define it? How can we reconcile our own awareness of our sin with our definition of God?

You might have your own understanding of sin already worked out, and that’s great. I’ve been helped by a writer named Gordon Jackson, who wrote a book called Creating Something of Beauty. For Jackson, sin can only happen within the dialogue of covenant.

Sin can only happen within the dialogue of covenant.

And God’s covenant isn’t like a contract. God’s legal system isn’t like our legal system. There is no tit for tat. There is no bargaining. God does not say, “If you remain faithful, then I will also.” God’s covenant starts with God’s faithfulness toward us, as a revelation of God’s character. “I am the Lord, who brought you from following the sheep.” What is left up to us, is our response.

Once we hear the call, our options are limited. We can be faithful, or we can pretend we didn’t hear. And God’s covenant talks about that as well. I’ve been trying to listen to the call for quite a few years now, and I can tell you this: in my experience, the worst times in my life are the times when I didn’t follow it. And the best times in my life are the times when I did. And the scripture makes that clear, I think.

Sin is only possible within the dialogue of covenant. But it is only within the dialogue of covenant that we find the blessings that come with living well, and being what God would have us be... if we can only trust that when God is calling, it’s always good news.

Wednesday, July 19, 2006

What's Murray Watching?

So, today in class (I'm in Week 3 of a four week summer school marathon) -- actually, during the coffee break -- Mary asked me if there was some way she could know what I'm watching. I sent her to my blog, which gives me a feeling of responsibility, that now I should put up some sort of "highlights" of my cultural consumption recently. So here goes.

First, I'm going to list things that I'm watching/listening to/reading that I haven't seen/heard before (mostly). Little of this stuff is actually current or "new", but it does reflect my current and 'new' interests. Then I'll say a few words about old favourites.

TV:
  • South Park
  • Smallville
  • Canadian Idol
  • CSI: Crime Scene Investigation
  • Firefly
  • Grey's Anatomy
  • Criminal Minds
  • The Ultimate Fighter

Movies:
  • Priest (1994)
  • Goodfellas (1990)
  • Superman Returns (2006)
  • Gattaca (1997)
  • The Station Agent (2003)
  • Jesus Christ Superstar (2000)
  • The Apostle (1997)
  • Nacho Libre (2006)

Music:
  • Leonard Cohen
  • Neil Young
  • U2
  • Don McLean
  • Songs featured on "Buffy the Vampire Slayer" and "Angel"

Books (extracurricular):
  • "Red Mars," "Green Mars," "Blue Mars," and "The Martians" by Kim Stanley Robinson
  • "Iterations" by Robert J. Sawyer
  • "Fray: Future Slayer" (graphic novel) by Joss Whedon
  • "A Theology For Ministry: Creating Something Of Beauty" by Gordon Jackson

So, that's about it... There might be one or two things I'm forgetting. In terms of old favourites, I have given ratings for 310 different films on the Internet Movie Database, and folks can view my voting history by following this link. It may seem like my voting is top heavy (ie. I'm giving more high scores than low scores) but that's because I'm more motivated to vote for movies that I like. There are four or five hundred movies that I've seen and not voted for, and most of them would receive lower scores.

As for old favourites in the TV category, I should of course mention Buffy the Vampire Slayer and its spinoff series Angel, and Star Trek: Deep Space Nine is a personal classic, as is Star Trek: The Next Generation. As I've gotten older, though, I find I prefer DS9 to TNG. I guess I have a fair amount of The Simpsons in my background, too, though I haven't really watched it in years. Also The Kids in the Hall and Saturday Night Live, which I still tune in to from time to time.

My musical standbys include REM, Barenaked Ladies, Queen, The Beatles, Bob Dylan, CCR, Jann Arden, Simon & Garfunkel, and The Tragically Hip.

My favourite books are mostly graphic novels. By series: The Sandman, by Neil Gaiman, Preacher, by Garth Ennis, Strangers in Paradise, by Terry Moore, and Transmetropolitan, by Warren Ellis. Also The Watchmen, Top Ten, and The League of Extraordinary Gentlemen, by Alan Moore, and Powers, by Brian Michael Bendis (I feel like this list isn't complete without Frank Miller and Grant Morrison, so I'll just mention them). Robert J. Sawyer is my current favourite novelist, and I recommend his books Factoring Humanity and Frameshift, and his two trilogies, "The Neanderthal Parallax" and "The Quintaglio Ascension," plus all of his other works.

So, far from an exhaustive list, this is a sense of what sort of voices are looking for attention in my mind right now. In a month or two, much of this will have changed, I'm sure. Maybe I'll do this again down the road? We'll see.

Sunday, July 09, 2006

Ursula K Le Guin Just Made Me Cry

As I was waiting for my laundry to be finished, I picked up a book off the shelf in the common lounge of my building. There is a small collection of books there, vagrant books, abandoned books, surrounded by a vast wall of empty shelves. One of them is called The Compass Rose and is a collection of short science fiction by the legendary author Ursula K Le Guin.

I've long been a fan of short science fiction. I think the challenge of creating a speculative or imaginative thought-world AND saying something important, within the confines of short literature, takes a certain economy of language and creativity of imagination that I find appealing. It also requires a high level of trust in the reader. You can not write a good sci fi short story without leaving lots of room for the reader to fill in the blanks, and that takes trust.

The first piece in The Compass Rose is called "The Author of the Acacia Seeds, and Other Extracts From The Journal of the Association of Therolinguistics." Le Guin sets up a world in which the science of linguistics has been extended so that it encompasses messages left by ants and the kinetic performances of penguins. Those first two articles from the "journal" (the ants and the penguins) are brilliant, but it was the third article, an editorial, that brought tears to my eyes with its sheer beauty and potential.

The editorial begins with a basis for linguistics: language is communication. And, following Tolstoy, art is also communication. Therefore, any creature that communicates has language (such as ants and penguins).

Plants don't communicate, so they do not have language. But do they have art? Is there an art that is not communicative, but something else?

"Ourselves animals, active, predators, we look (naturally enough) for an active, predatory, communicative art; and when we find it, we recognize it... The art [of the Plant], if it exists, is a non-communicative art: and probably a non-kinetic one... We do not know. All we can guess is that the putative Art of the Plant is entirely different from the Art of the Animal. What it is we cannot say; we have not yet discovered it. Yet I predict with some certainty that it exists, and that when it is found it will prove to be, not an action, but a reaction: not a communication, but a reception. It will be exactly the opposite of the art we know and recognize. It will be the first passive art known to us... and after [that], may there not come... the first geolinguist, who, ignoring the delicate, transient lyrics of the lichen, will read beneath it the still less communicative, still more passive, wholly atemporal, cold, volcanic poetry of the rocks: each one a word spoken, how long ago, by the earth itself, in the immense solitude, the immenser community, of space."

There are a number of places where I resonate very strongly with this passage. I hold both the word and art as sacred, and to imbue the plants and rocks with these qualities is to give them a portion of the great sacred reality that has always been theirs but which we have tragically failed to respect. Could models of Christian leadership have something to learn from the Art of the Plants? Might we be seeking a receptive, non-predatory, art of our own? To be still and silent is not to be disengaged or disinterested. To be atemporal is not to be amoral.

The art of the plant is an art that I will be studying further. I invite you to join me.